Media Reviews.
What the critics are saying.


"Dear Kinga,
What a Superb Production you directed(voice, stage and costume design) last night ! Your glass of achievements is overflowing … demonstrating your reservoir of talents not only as a remarkable singer and artist but also as a mentor extraordinaire to young talented performers. You drew out the best in them and showcased what they could do. We enjoyed their performances. Annia and Carolina including the young boy who performed the song Don Quixote stood out outstanding and ready to perform as professionals.
Over the years , Andrzej and I have been most impressed by your beautiful and powerful voice AND … by your stunning outfits! Who is your couturier? We thank you for inviting us to the Broadway Magic. Our friend, Otilia, like us, is equally impressed with the show and, of course, of your singing performance. It’s a great treat!!! Keep us abreast where and when you’ll be performing.
With admiration and wishes for the best!"

Conchita


"I was blown away by the show last night, it is really wonderful to be reminded what heights work and talent can reach. And the credit goes to Kinga who brought it up and recognized the talent, encouraged, nourished, developed and guided it. I feel privileged and proud to be a fellow human, it is what true art does!"

Michaela Sanielevici


"Kinga Mitrowska decided to exercise her amazing ability of finding even the highest note with a total sureness, no wavering, no sneaking up to it. She hits it right on, crystal clear and without vibrato. It is quite apparent that she has played a lot of big European houses, where big voices are perhaps more familiar than here. It was a real pleasure to hear her again and see her elegant appearance on the stage."

Sybille Forster-Rentmeister

The Sound Of Music In York

"Composer Strauss, who brought the waltz to rhythmic and lyricals perfection with sweeping melodies and ear for orchestral detail, surely would have applauded Mitrowska's aria "None Braver, None So True." a fiercely emotional delivery that kindled flames among her large cast of colleagues. Thus began a virtually new performance where words like charm, vivacity and sophistication could genuinely be used."

Geoff Chapman

The Toronto Star

"As soon as I heard the rich warm bottom of Kinga Mitrowska's voice, I could hardly wait for Rosalinda's Csardas. She gave it and exuberant performance."

Rita Ubriaco

The Chronicle Journal

"...the tragic story of Violetta unfolded with Kinga Mitrovska in the lead. Without a doubt this role of Violetta is one of the most demanding parts for any soprano, asking for great strength and pianissimos, incredible heights and mellow lows, coloratura bravado and tender, wispy tones. A vast gamut of emotion has to be portrayed and made believable or the story of Violetta becomes a soap opera. All this and more was delivered with extraordinary clarity by Ms. Mitrovska, resplendent in two different gowns, sounding better than ever."

Sybille Forster-Rentmeister

The Sound Of Music In York

"Yet a full house at Jane Malett Theatre was rescued from discontent just before the first break, with the arrival of Kinga Mitrowska playing the gypsy girl Saffi..."

Geoff Chapman

The Toronto Star

"... Soprano Kinga Mitrowska (Rosalinda) has a huge voice that should lead to an important career.

Globe & Mail


"This Viennese confection may be the strongest TOT production to date."

Paula Citron

Globe & Mail